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Remembrance of Issues Previous | Get hold of US

Our Father, the Satan

by Matt Weiner

A lot of latest horror and thrillers have discovered chilling however summary methods to exorcise trauma. Ellie Foumbi’s characteristic debut Our Father, the Satan is a haunting and welcome twist on the method, with its all-too-human demons and a direct confrontation of the horrors of the previous.

Marie (Babetida Sadjo) enjoys her work as a chef for a retirement residence in southern France. She treats the aged residents humanely, to the extent that she is presented a household cottage from the kindly Jeanne (Marine Amisse), a former chef who additionally occurred to get Marie the job as her star pupil.

It’s a sluggish burn within the bucolic countryside till the arrival of Father Patrick (Souléymane Sy Savané). The mere sound of the priest’s voice causes Marie to panic, a sense that’s later confirmed throughout a taut trade alone between the 2 that triggers a definite reminiscence for Marie.

This rigidity is damaged with a fateful outburst from Marie, who knocks the priest out and ties him up at her new cabin. She suspects that Father Patrick is definitely Sogo, a supposedly lifeless warlord who murdered Marie’s household in Guinea and kidnapped her into his military of kid troopers.

The remainder of the movie is a tense, unblinking interrogation of what this actuality means for Marie and the life she has left behind. The escaped battle prison hiding in plain sight has been fodder for loads of movies and procedurals, however Foumbi’s humane script and deft route rapidly elevate the uncertainty from materials to non secular doubt.

The horror of what Marie—and maybe Father Patrick—have witnessed and performed to others factors to a deep, existential rot. Foumbi doesn’t shrink back from the ethical complexity of Marie’s pursuit of vengeance.

And whereas the “Is he / isn’t he” a part of the suspense is cleared up surprisingly early, electrical performances from Sadjo and Savané and their interaction collectively maintain the strain at virtually insufferable ranges for many of the movie. Foumbi’s script eschews condemnation and simple solutions in equal measure, and it wouldn’t work with out the nuanced turns from the leads. Our Father, the Satan throws up numerous weighty questions round forgiveness and salvation. The movie is much less involved with answering these questions, however then that’s additionally the purpose. Escaping a cycle of trauma and abuse is tough. However not as laborious as forgiveness.

The put up Remembrance of Issues Previous appeared first on Maddwolf.


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